CALL FOR SUBMISSIONS (Deadline: April 1, 2018)
Kearny Street Workshop, in collaboration with Asian Art Museum, presents Interdisciplinary Writers Lab (IWL), a 3-month, multi-genre master class for local writers of color scheduled for summer 2018. IWL is a unique program that challenges emerging writers to thoroughly explore and develop their writing skills and styles across multiple genres.
The goals of the IWL program include: providing local emerging writers/artists with the opportunity to challenge, develop, and expand their practice by working with established writers in a variety of genres; to contribute to the development of new literary forms and language that incorporate multiple forms of creative expression; to provide emerging artists with the opportunity to build community and connect with writers in the literary world; and to publish in a print anthology that highlights work by exciting new writers committed to exploring new forms and voices.
Tuition for IWL is $350. The application fee is $10. In order to reserve your spot with IWL, full tuition must be paid upon acceptance into the program. Failure to pay tuition before the established deadline prior to the start of IWL could result in removal from the program.
*Although IWL accepts applications from all interested students, the focus of this program is geared towards artists and writers of color. It’s our hope that the students’ engagement in this program will prompt the further development of their craft.
IWL 2018 is a collaboration between Kearny Street Workshop and Asian Art Museum, San Francisco.
IWL will take place on Saturday mornings (12:00pm - 2:30pm), June 2nd through August 11th (final class date and location TBD). Classes will be held at Asian Art Museum (200 Larkin St. SF, CA). Each month-long, genre-specific writing workshop will be taught by a different instructor. A closing reading that is open to the public will be announced this summer.
Javier Zamora was born in El Salvador and migrated to the US when he was nine. He is a 2016-2018 Wallace Stegner Fellow and holds fellowships from CantoMundo, Colgate University, MacDowell, the National Endowment for the Arts, the Poetry Foundation, and Yaddo. Unaccompanied, Copper Canyon Press Sept. 2017, is his first collection.
Aimee Suzara is a Filipino-American poet, playwright, and performer whose mission is to create poetic and theatrical work about race, gender, and the body to provoke dialogue and social change. Suzara has graced stages nationally, from Florida to Washington with her dynamic spoken word. Her debut poetry book, SOUVENIR (WordTech Editions 2014), a Willa Award Finalist, and her poems appear in numerous collections, including Phat’itude and Kartika Review. Her performance work has been supported by YBCAway Award, National Endowment for the Arts; selected for the One Minute Play Festival, APAture, and the Utah Arts Festival; and staged at the Berkeley Repertory Theater, CounterPULSE, and others.http://www.aimeesuzara.net.
Dickson Lam is author of Paper Sons: A Memoir, which was the winner of the 2017 Autumn House Press Nonfiction Contest. Lam’s work has appeared in StoryQuarterly, The Kenyon Review Online, Hyphen Magazine, The Normal School, PANK, The Good Men Project, The Rumpus, and Kartika Review. He is a VONA alum and has been a resident fellow at the Millay Colony for the Arts and the Kimmel Harding Nelson Center for the Arts. He holds MFA degrees in creative writing from the University of Houston and Rutgers-Newark. Lam is an Assistant Professor of English at Contra Costa College and lives in Oakland with his wife and daughter.